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Judith Revel (born 1966) is a French philosopher and translator.
After a first PhD obtained in Italy, she obtained in France a PhD in Philosophy under the direction of Marcel Gauchet (EHESS, 2005). She was a lecturer at the Université Paris 1 Panthéon-Sorbonne, then Professor of Political Philosophy at the University Paris-Nanterre between 2014 and 2023 and head of the research team Sophiapol (Sociologie, philosophie, anthropologie politiques). Since 2023, she is Professor of French Contemporary Philosophy at the Université Paris 1 Panthéon-Sorbonne, and member of the Institut Universitaire de France.
She is member of the Michel Foucault Center, and head of the scientific council of IMEC. She was married to Antonio Negri, the Italian philosopher, until his death in December 2023.
After the 2005 French riots, she wrote a book about the so-called "banlieues" ('suburbs' in French) criticizing both the clichés that surround their inhabitants and the growth of racism in French society. She analysed the refusal to give any political value to what was happening in the suburbs by deconstructing racist implicit images of public speeches (the roots of it might be the conviction that the one who does not speak the language of political representation is necessarily aphasic, childish or even animal).
Since the beginning of 2010, she has been working more generally on the philosophy of history, and especially the way in which a certain practice of philosophy has problematized both its own historical situation and the possibility of intervening in the present. In this context, she develops a work on the philosophical use of archives, especially through teachings and seminars at the EHESS. More generally, she studied the different representations of history in French thought since the 1950s.
It also extends its investigation of some Italian readings of French poststructuralism (Italian opera and post-opera, the thinking of Giorgio Agamben and Roberto Esposito). Finally, she develops a series of theses on the political theorizations before and after 1968 and on the necessary recasting of the political concepts of modernity, in the fermenting movement of Italian operaism and more particularly in the analyzes of her husband, the philosopher Toni Negri. She works in particular on the notion of "common" as an alternative to the public / private dichotomy, and on a political ontology of the present building bridges between Maurice Merleau-Ponty and Michel Foucault.
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